Ear Training for Bass Guitarists
Bass guitar players get hired for two things: locking with the drummer and putting the right root under the chord. The first is time. The second is entirely your ear, and it is the part most bassists never train on purpose.
Start training with the bass soundEvery question plays on a real sampled electric bass. No account, nothing to install.
The bass chair hears the song differently
You don't need to hear the top of the chord. You need the root and the quality. When the keyboard player lands on something, your questions are: what is the root, is it major, minor or dominant, and where does it go next? Root movement is mostly 4ths, 5ths and steps, and a bassist who hears those three motions can follow a song on the first pass. Chord quality decides which 3rd and 7th you can use in a fill without clashing.
The chord trainer works on both at once. Because the bass can sound more than one string at a time, the app treats it as polyphonic and offers chord mode with the bass sound. A triad or seventh chord plays, in any inversion, and you find every note. For a bassist, the order is: bass note first, which may not be the root when the chord is inverted (exactly the slash chord situation you meet on charts), then the quality, then whatever is left. The full listening method is in how to recognize chords by ear.
Written an octave up, bass clef, and what Easy means on bass
Bass guitar is written in bass clef an octave above where it sounds. The app plays the sounding pitch and you answer in written pitch on a bass clef staff, the same convention your charts use. The written range is E2, the open E string, up to G4, the 12th fret of the G string.
Because that range tops out below written C5, Easy and Medium on the bass guitar use written C3 to C4 instead of the C4 to C5 that most instruments get. On the neck that is the 3rd fret of the A string up to the 5th fret of the G string: one position, the box you already play most of your lines in. Easy keeps to the C major scale in that box, Medium adds every chromatic note, Hard opens up the whole neck, and Custom lets you isolate one string. If you have only ever read tab, answering on the staff is a side benefit: a few weeks of it and bass clef stops looking foreign.
Four strings in 4ths: the intervals under your hand
E, A, D, G. The bass tunes in perfect 4ths, so every interval has a fixed shape on the neck. Same fret, next string up: a perfect 4th. Two frets up on the next string: a perfect 5th. Two strings over and two frets up: an octave. On one string, one fret is a minor 2nd, two a major 2nd, three a minor 3rd, four a major 3rd. The root-5th-octave shape is the building block of half the bass lines ever recorded, and the minor 3rd versus major 3rd split is what decides whether the fill you just played was right.
Drill them in the interval trainer. Interval names mode teaches the labels; interval mode makes you place both heard pitches on the staff, which is what you do when you work out a line from a record. Picture the fret shape every time you answer. If a particular interval keeps escaping you, songs for intervals gives you a familiar bass line or melody to hang it on.
Tab tells you where, your ear tells you why
Most bass players learned from tab, and there is nothing wrong with that: it got you playing. But tab shows a fret number, not a musical fact. It won't tell you that the root just moved up a 4th, which is the one thing you need when the singer wants the song down a step, when the chart is wrong, or when someone calls a tune you have never played. Learning songs from recordings instead fixes that, and the bass is the easiest part to lift by ear, because it is the lowest thing in the mix and it mostly plays roots. Once you can hear root movement and chord quality, you can walk into a jam and be useful in the first chorus. How to transcribe music by ear has the step-by-step process.
Locking with the drums, tuning with the band
Time is the bassist's first job, but pitch is a close second, and the two meet in the low end. A bass that is ten cents flat makes the guitars sound wrong and nobody can say why. Frets fix the notes between the open strings, not the open strings themselves, and on a fretless bass they fix nothing at all. Hearing pitch accurately down low is a specific skill, because the ear is vaguer about pitch in the bass register than in the treble. Practise it where it lives: run the note recognition trainer with the bass selected, so you are listening to a real electric bass in its real register, and sing each note back an octave up before you answer. You will start hearing pitch down there instead of just thump.
A 10-minute daily routine for bass players
- 2 minutes: single notes. Note recognition with the bass selected. Sing it an octave up, then find it on the staff.
- 3 minutes: intervals. A game in interval mode. Picture the fret shape for every answer.
- 4 minutes: chords. Chord mode with the bass sound. Bass note, then quality, then the rest. This is the one that pays on the gig.
- 1 minute: the daily challenge. Same puzzle for everyone, once a day, with a streak to keep.
Once a week, learn one bass line by ear, tab closed, and play it with the record. If ear training is brand new to you, the order that works is in how to train your ear.
Frequently asked questions
Does the trainer use a real bass guitar sound?
Yes. Every question plays on a sampled fingerstyle electric bass in your real register, and you answer in written pitch on a bass clef staff.
Why do Easy and Medium use C3 to C4 on bass guitar?
Because the written range tops out at G4, below the C5 most instruments use. C3 to C4 is the 3rd fret of the A string to the 5th fret of the G string, all in one position.
Can I use chord mode on bass guitar?
Yes. The bass counts as polyphonic, so chord mode is offered. A triad or seventh chord plays in any inversion and you find every note, bass note first.
I learned everything from tab. Is it too late to train my ear?
No. Tab taught you where the notes are. Ear training adds why the line goes where it goes, starting with root movement, which bassists hear more easily than anyone.
Related instruments: the guitar page is the sibling of this one, with the same 4ths logic on six strings, and the rest of the string family has pages too: double bass, cello, viola and violin. If you want to hear whole progressions the way the keyboard player does, see the piano page and the jazz progressions trainer.